Read 11巻 by Satsuki Yoshino Free Online
Book Title: 11巻|
Format files: PDF
The size of the: 25.50 MB
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Reader ratings: 4.4
The author of the book: Satsuki Yoshino
Date of issue: May 12th 2015
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This is perhaps the only volume of BARAKAMON to feature close to zero actual calligraphy and yet still retain much of the original character, drama, and intelligence of the manga's earliest chapters.
The manga has strayed from its roots but not too far, which is nice. Whereas the story now rarely concerns itself with Handa-sensei finding inspiration and building up his knowledge base for good calligraphy/art; the story has instead focused almost entirely on the obfuscations to Handa's creation of good art and/or calligraphy.
Volume 11 is one such fascination with obfuscation. In concluding the saga of what happens when Handa's parents hedge an official request for an omiai, the story shifts toward Handa's insecurities (again), and so tumbles (again) into the familiar rhythm of readers guessing and goggling at the struggles of a twentysomething who often learns more from his younger peers than from his lived experience. Whatever the case, the hilarious conclusion to the whole possible-marriage fiasco is quite fitting, given how inordinately intertwined the island community has become (with Handa at its center).
It's unfortunate the author chose to avoid including any more meaningful conversations between Handa and his father, but the move is not unexpected. Yoshino, in keeping with her narrative tendencies, shows no interest in delving into her characters emotional histories to any consequential degree.
The best chapter of Volume 11 is the last one, Chapter 87: Tako-Toru ("Octopus Catching"). The pre-dawn hunting of octopi with Naru and her grandfather leaves sensei bleary-eyed in his vigilance. His terror of touching the squirmy creatures is only tempered by the sudden burden of responsibility he receives when charged with caring for Naru as the darkness threatens to "snatch [her] right up."
And while the story may be typical fare, the art is wonderful, notably enlisting very strong inking to emphasize the book's contrasts of light/dark, shadow/light at play. The fading gas lamp butts against the bounding darkness of the early morning; the splish-splash of rubber boots fights off the silent fog of a hesitant breath in the cool autumn air; and the rocky outcropping of shore meets the blossoming sunrise with courageous beauty.
Both Handa-sensei and little Naru are struck dumb by the flowery rays of the rising of the sun, their fears of loneliness and inadequacy and imperfection burned away by the coming dawn.
BARAKAMON doesn't deliver powerful messages like this anymore. And it's a shame readers must wait to encounter such an important tool for developing established characters.
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Read information about the authorYOSHINO Satsuki
Name (in native language): ヨシノサツキ
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